Trump’s team will sue ‘The Apprentice’ movie makers for creating false story.

Former President Trump’s team is gearing up to file a lawsuit against the creators of a biopic focusing on his life in the 1980s. The film in question is “The Apprentice,” a 2024 movie starring Sebastian Stan and directed by Ali Abbasi. A spokesperson for Trump denounced the film as “garbage” and “pure fiction.”

The plot of the movie revolves around Trump’s association with Roy Cohn, a government lawyer during the McCarthy era who spearheaded investigations into suspected communists. It portrays Cohn as a guiding figure for Trump in the cutthroat world of New York City business and politics. The film contains several scandalous and unsettling scenes involving Trump, Ivana Trump, and other real-life personalities.

“As with the illegal Biden Trials, this is election interference by Hollywood elites, who know that President Trump will retake the White House and beat their candidate of choice because nothing they have done has worked,” the spokesperson expressed.

The cast and crew of “The Apprentice” recently attended a press conference at the 77th edition of the Cannes Film Festival in Cannes, France. Ali Abbasi, the director of the film, responded to the brewing controversy, stating, “Everybody talks about him suing a lot of people – they don’t talk about his success rate though, you know?” Abbasi also mentioned his openness to privately screen the movie for Trump and engage in a discussion about its context.

“I would offer to go and meet him wherever he wants and talk about the context of the movie, have a screening and have a chat afterwards, if that’s interesting to anyone at the Trump campaign,” Abbasi expressed.

Despite the uproar surrounding “The Apprentice,” Abbasi seems keen on initiating a dialogue with Trump to address any concerns and provide clarity on the film’s depiction of his past. The dispute between the former president’s team and the film’s creators continues to escalate, with both sides standing firm in their positions.

Whether this legal battle will impact the release or reception of “The Apprentice” remains uncertain. For now, the controversy adds a layer of intrigue to the film’s narrative, drawing attention from both supporters and critics of Trump. The ongoing feud between Trump’s camp and the filmmakers serves as a reminder of the complexities that accompany depicting real-life figures on the big screen.

As the lawsuit unfolds, the public eagerly anticipates how this clash of legalities and creative expression will unfold. The outcome of this dispute could set a precedent for future portrayals of political figures in biographical films, shaping the boundaries of artistic license and accountability in storytelling.

With tensions running high and voices on both sides adamant in their stance, the outcome of this legal tussle remains shrouded in uncertainty. The battle between Trump’s team and the makers of “The Apprentice” exemplifies the collision of politics, entertainment, and artistic interpretation in the realm of filmmaking.